{"id":34570,"date":"2023-12-03T16:06:19","date_gmt":"2023-12-03T15:06:19","guid":{"rendered":"https:\/\/musee.artetdechirure.fr\/?p=32780"},"modified":"2023-12-03T16:06:19","modified_gmt":"2023-12-03T15:06:19","slug":"collection-anna-murgia-2","status":"publish","type":"post","link":"https:\/\/museeartetdechirure.jfguillou.fr\/index.php\/2023\/12\/03\/collection-anna-murgia-2\/","title":{"rendered":"Anna MURGIA"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/musee.artetdechirure.fr\/wp-content\/uploads\/2023\/12\/Capture-decran-2023-12-03-a-09.16.01.jpg\"><img decoding=\"async\" src=\"https:\/\/musee.artetdechirure.fr\/wp-content\/uploads\/2023\/12\/Capture-decran-2023-12-03-a-09.16.01-892x1024.jpg\" alt=\"\" class=\"wp-image-32781\"\/><\/a><figcaption class=\"wp-element-caption\"><sup>Anna MURGIA, sans titre, encre et couleurs sur papier, 44 x 35 cm, collection Mus\u00e9e Art et D\u00e9chirure<\/sup><\/figcaption><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><strong>Anna MURGIA au festival Art et D\u00e9chirure :<\/strong><\/p>\n\n\n\n<p><a href=\"https:\/\/www.rivaisjeanine.com\/retour-sur-un-quart-de-siecle-d-ecriture\/art-et-d%C3%A9chirure-2002\/\">https:\/\/www.rivaisjeanine.com\/retour-sur-un-quart-de-siecle-d-ecriture\/art-et-d%C3%A9chirure-2002<\/a>\/<\/p>\n\n\n\n<p>Lors de la pr\u00e9c\u00e9dente biennale (2000), Anne Murgia avait propos\u00e9 des \u0153uvres de tricots, formes polychromes d\u00e9structur\u00e9es, lanc\u00e9es sans rel\u00e2che en des troncs et des branches tortur\u00e9s par de grands vents, et dans lesquels des personnages apparaissaient en filigrane.<\/p>\n\n\n\n<p>Cette ann\u00e9e (2002), la m\u00eame composition d\u00e9coup\u00e9e se retrouvait sur ses encres de trois couleurs, rouge, ocre et bleu, aux entrecroisements labyrinthiques noirs, g\u00e9n\u00e9rateurs ici d\u2019une tour pench\u00e9e orn\u00e9e de fleurs stylis\u00e9es&nbsp;; l\u00e0 d\u2019une sorte de monstre marin sinuant dans des surfaces r\u00e9p\u00e9titives&nbsp;; ailleurs un petit personnage aux yeux vairons d\u2019\u00eatre dans deux \u00ab&nbsp;espaces&nbsp;\u00bb\u00e0 la fois, modestement drap\u00e9 dans une cape dont la tra\u00eene se perd en un foisonnement de petits points noirs comparables \u00e0 des notes de musiques qui danseraient sur des port\u00e9es al\u00e9atoires\u2026<\/p>\n\n\n\n<p>De sorte que l\u2019artiste semble affectionner ce monde \u00e0 la fois si anarchique et si g\u00e9om\u00e9triquement contr\u00f4l\u00e9, dont les d\u00e9coupages enl\u00e8vent aux \u00eatres qui les hantent toute r\u00e9alit\u00e9 (au sens humain, bien s\u00fbr&nbsp;!) et les rendent difficiles \u00e0 appr\u00e9hender dans leur enti\u00e8ret\u00e9&nbsp;!<\/p>\n\n\n\n<p>Jeanine RIVAIS<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Anna MURGIA au festival Art et D\u00e9chirure : https:\/\/www.rivaisjeanine.com\/retour-sur-un-quart-de-siecle-d-ecriture\/art-et-d%C3%A9chirure-2002\/ Lors de la pr\u00e9c\u00e9dente biennale (2000), Anne Murgia avait propos\u00e9 des \u0153uvres de tricots, formes polychromes d\u00e9structur\u00e9es, lanc\u00e9es sans rel\u00e2che en des troncs et des branches tortur\u00e9s par de grands vents,&#8230; <a href=\"https:\/\/museeartetdechirure.jfguillou.fr\/index.php\/2023\/12\/03\/collection-anna-murgia-2\/\">Continue reading<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[],"class_list":["post-34570","post","type-post","status-publish","format-standard","hentry","category-16"],"_links":{"self":[{"href":"https:\/\/museeartetdechirure.jfguillou.fr\/index.php\/wp-json\/wp\/v2\/posts\/34570","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museeartetdechirure.jfguillou.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museeartetdechirure.jfguillou.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museeartetdechirure.jfguillou.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museeartetdechirure.jfguillou.fr\/index.php\/wp-json\/wp\/v2\/comments?post=34570"}],"version-history":[{"count":0,"href":"https:\/\/museeartetdechirure.jfguillou.fr\/index.php\/wp-json\/wp\/v2\/posts\/34570\/revisions"}],"wp:attachment":[{"href":"https:\/\/museeartetdechirure.jfguillou.fr\/index.php\/wp-json\/wp\/v2\/media?parent=34570"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museeartetdechirure.jfguillou.fr\/index.php\/wp-json\/wp\/v2\/categories?post=34570"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museeartetdechirure.jfguillou.fr\/index.php\/wp-json\/wp\/v2\/tags?post=34570"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}