{"id":33929,"date":"2023-01-09T22:11:24","date_gmt":"2023-01-09T21:11:24","guid":{"rendered":"https:\/\/lewebpedagogique.com\/artetdechirure\/?p=857"},"modified":"2026-02-09T11:04:23","modified_gmt":"2026-02-09T10:04:23","slug":"collection-vladimir-2","status":"publish","type":"post","link":"https:\/\/museeartetdechirure.jfguillou.fr\/index.php\/2023\/01\/09\/collection-vladimir-2\/","title":{"rendered":"Pascal SAINT-VANNE dit VLADIMIR"},"content":{"rendered":"\n<p>Pascal SAINT-VANNE dit VLADIMIR, n\u00e9 en 1956 \u00e0 Verdun (Meuse)<\/p>\n\n\n\n<p><a href=\"https:\/\/www.vladimir-peintre.fr\/\">https:\/\/www.vladimir-peintre.fr\/<\/a><\/p>\n\n\n\n<p>autodidacte &#8211; instinct &#8211; sans calcul &#8211; sans th\u00e9orie &#8211; sans a priori &#8211; sans souci de plaire &#8211; sans message &#8211; \u00e9corch\u00e9 &#8211; souffrance &#8211; douleur &#8211; passion &#8211; fr\u00e9n\u00e9sie &#8211; sensibilit\u00e9 &#8211; amour &#8211; humour &#8211; peintre &#8211;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"789\" height=\"1024\" src=\"https:\/\/musee.artetdechirure.fr\/wp-content\/uploads\/2023\/03\/Capture-decran-2023-03-16-a-07.33.58-789x1024.png\" alt=\"\" class=\"wp-image-30587\" srcset=\"https:\/\/museeartetdechirure.jfguillou.fr\/wp-content\/uploads\/2023\/03\/Capture-decran-2023-03-16-a-07.33.58-789x1024.png 789w, https:\/\/museeartetdechirure.jfguillou.fr\/wp-content\/uploads\/2023\/03\/Capture-decran-2023-03-16-a-07.33.58-231x300.png 231w, https:\/\/museeartetdechirure.jfguillou.fr\/wp-content\/uploads\/2023\/03\/Capture-decran-2023-03-16-a-07.33.58-768x997.png 768w, https:\/\/museeartetdechirure.jfguillou.fr\/wp-content\/uploads\/2023\/03\/Capture-decran-2023-03-16-a-07.33.58.png 878w\" sizes=\"auto, (max-width: 789px) 100vw, 789px\" \/><figcaption class=\"wp-element-caption\"><sup>VLADIMIR,<em> sans titre<\/em>, collection Mus\u00e9e Art et D\u00e9chirure<\/sup><\/figcaption><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><strong>Article du catalogue du Festival Art et D\u00e9chirure 2016 :<\/strong><\/p>\n\n\n\n<p>\u00ab\u00a0Vladimir Saint-Vanne \u00e9treint \u00e0 c\u0153ur les talismans de la haute peinture, et ses \u0153uvres vives, brutales et crues, sont autant d\u2019implacables cicatrices, arrach\u00e9es du dedans \u00e0 la mort-vie. Et celui qui sait cr\u00e9er sait aussi \u00e9crire. Mots qui traversent le langage et recr\u00e9ent la langue.<br>Les tendresses saccag\u00e9es de la peau fouillent l\u2019insondable opacit\u00e9. On dirait des plaques d\u2019ab\u00eeme, des m\u00e9moires de plaie, et des surgissements accablants de v\u00e9rit\u00e9 transgress\u00e9e, et de sinc\u00e9rit\u00e9 nue. Sensibilit\u00e9 sans barri\u00e8re surgie sans limite de nos lointains cach\u00e9s. Le tout autre, hallucin\u00e9 et vrai, blesse l\u2019univers entier de la toile.<br>Innombrable autoportrait fracassant le miroir aveugle de tous les Narcisse de la modernit\u00e9. La prise de risque est insens\u00e9e, et son humanit\u00e9 saisissante.<br>Vladimir Saint-Vanne ose br\u00fbler les surfaces. Ce cr\u00e9ateur des extr\u00eames est un dur-\u00e0-peindre. Un r\u00e9calcitrant. Il creuse des trous dans la peinture. Il ne craint pas la sanglance vitale. \u0152uvre broy\u00e9e d\u2019art et de vie.<br>Sous l\u2019\u00e9tendue, couve la fragilit\u00e9 des grands fonds. L\u2019art vit de ces braises chaudes.\u00a0\u00bb<br>&gt;&gt; Christian Noorbergen<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">&nbsp;<\/h3>\n","protected":false},"excerpt":{"rendered":"<p>Pascal SAINT-VANNE dit VLADIMIR, n\u00e9 en 1956 \u00e0 Verdun (Meuse) https:\/\/www.vladimir-peintre.fr\/ autodidacte &#8211; instinct &#8211; sans calcul &#8211; sans th\u00e9orie &#8211; sans a priori &#8211; sans souci de plaire &#8211; sans message &#8211; \u00e9corch\u00e9 &#8211; souffrance &#8211; douleur &#8211; passion&#8230; <a href=\"https:\/\/museeartetdechirure.jfguillou.fr\/index.php\/2023\/01\/09\/collection-vladimir-2\/\">Continue reading<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-33929","post","type-post","status-publish","format-standard","hentry","category-blog"],"_links":{"self":[{"href":"https:\/\/museeartetdechirure.jfguillou.fr\/index.php\/wp-json\/wp\/v2\/posts\/33929","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museeartetdechirure.jfguillou.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museeartetdechirure.jfguillou.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museeartetdechirure.jfguillou.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museeartetdechirure.jfguillou.fr\/index.php\/wp-json\/wp\/v2\/comments?post=33929"}],"version-history":[{"count":2,"href":"https:\/\/museeartetdechirure.jfguillou.fr\/index.php\/wp-json\/wp\/v2\/posts\/33929\/revisions"}],"predecessor-version":[{"id":34647,"href":"https:\/\/museeartetdechirure.jfguillou.fr\/index.php\/wp-json\/wp\/v2\/posts\/33929\/revisions\/34647"}],"wp:attachment":[{"href":"https:\/\/museeartetdechirure.jfguillou.fr\/index.php\/wp-json\/wp\/v2\/media?parent=33929"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museeartetdechirure.jfguillou.fr\/index.php\/wp-json\/wp\/v2\/categories?post=33929"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museeartetdechirure.jfguillou.fr\/index.php\/wp-json\/wp\/v2\/tags?post=33929"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}